Meet me at the horse’s arse – inspiration

“Where do you get your ideas from?”

This is a question that crops up a lot when people find out I write silly little books. And when they actually read those books and realise just how bloody silly they are the question takes on a whole new inflection. No longer simply curious, more… concerned.

“So, where do you get your ideas from?” (you complete nutter)

The answer is simple… theft and blind luck. I make shit up, I exaggerate, I see something I like or hear something that peaks my interest and I nick it, twist it and turn it into my own. Invariably, and to the ever loving frustration of my wife and friends, this means nothing is safe or sacred. Take the title of this blog post for instance… meet me at the horse’s arse. It’s a little weird, a bit out there, and absolutely not mine. My friend, Andy, once told a story about his parents arranging to meet in the city one rainy Saturday. This was back before we had mobile phones to stalk each other and carry on talking and getting directions while looking at one another. This was the good old 90s.

Fancy a trip into the city?

Sure. Where shall we meet?

ANZAC Square… at the statue.

Done.

Brisbane is a beautiful city. Lots of history, lots of open spaces, lots of handy places to meet. In fact, it’s kind of a right of passage to meet outside the Hungry Jacks in Queen Street but Andy’s parents weren’t teenagers when this story happened and neither were they carrying skateboards (kind of a prerequisite for the Hungry Jacks meet) so they arranged to meet in ANZAC Square next to the Boer War Memorial. It was the perfect spot. A giant bronze soldier astride a bloody great big horse on top of a huge stone plinth. Hard to miss.

Or so they thought.

As the story goes, Andy’s dad got there first and waited.

And waited.

And waited.

Andy’s mam never showed. The worry set in. Had he been stood up? Was she okay? What was going on? The details from me are a little sketchy here because we were a bit drunk when Andy told me this story so I’m afraid I have no idea what the conclusion was and how these two lovely people finally met. Was it later the same day? Was it somewhere else? Was it at the horse? I don’t know. What I do know is the excellent resolution.

Andy’s mam had not stood her fella up at all.

And neither was she late.

In fact, Andy’s mam was getting just as frustrated as Andy’s dad… who, unbeknownst to her, was standing in the rain a little more than a few metres away! Because you see, the excellent end to this tale is that they both arrived at roughly the same time and yet waited at opposite ends of the horse!

Andy’s family now have this wonderful habit of arranging to meet at ‘the horse’s bum’, which is just so cool, and so lovely, and so easy to steal and throw into my story about the last witch in Brisbane, and of course, I changed ‘bum’ to ‘arse’ because I prefer a little swearyness in my tales.

So, when the question of inspiration comes up, the answer is simple. I steal things, I exaggerate, and I add little twists and turns until it becomes something else entirely. In my current WIP, it will not be a lovely couple missing their meeting at the statue in ANZAC Square. It will be a confused barman with some latent supernatural power waiting for a four-hundred year old Irish witch. Neither of them are going to be happy about it… and it will result in a demon being let loose on the city… and people will die… lots of people… in really weird ways… but it will be fun to read (I hope) and all because they failed to specify heads or tails!

I owe a big thank you to Andy’s mam and dad! We’ve only met once or twice and yet I’ve half-inched one of their family stories to scribble into one of my silly little books. Cheers!

And remember, folks. If you’re going to meet at a bloody great big horse statue… toss a coin, or better yet, just meet at the arse!

Any excuse to use this picture

I will eviscerate you in fiction!

Every pimple, every character flaw. I was naked for a day; you will be naked for eternity.

Geoffrey Chaucer (sort of)

One of the fun things about writing a book you think pretty much no one will read is putting all your friends and family in there and ending their lives in new and imaginative ways. Not in a ‘secret serial killer’ kind of way you understand, more in a ‘hey lads, won’t this be a laugh?’ kind of way. But when said book bizarrely comes to the verge of publication all those funny little in-jokes and tragic ends suddenly seem a little… odd. What is perhaps even more strange is calling your friends and asking them for permission to end their lives.

So, chaps. I wrote a book. It’s getting published. You’re all kind of in it. Some of you for longer than others. Are you all cool with me using your names? And, well, killing you?

Thankfully, I am blessed with excellent friends. Perhaps my favourite reply was this one…

“Anyway man, can I please use your full name in a short scene where you get brutally torn apart by a…” “If you don’t use my full name, I’ll kill you”

What a legend! And they’re all the same. Everyone said yes. So friends and family are-quite literally in some places-littered throughout the books. What is interesting, however, is that I never once chose the name of a person I dislike (there aren’t that many people to be fair, but my Yorkshire-based stories leave little room for Donalds and Vladimirs. Perhaps I should have used Boris the bumbling oaf somewhere though?)

When Paul Bettany-in his excellent portrayal of Geoffrey Chaucer in A Knight’s Tale (loosely based on The Canterbury Tales)-hissed the wonderful insult,

I will eviscerate you in fiction!

he was going after the rogues and scoundrels. When I do it, I’m going after my friends.

Read into that what you will.

So when these books do eventually come out and you’re sitting there having a little read witnessing a particularly gruesome death (an evisceration perhaps?) Just think, that’s someone I love. And they don’t deserve it at all.

It’s a funny old world.

Before The Book and the Blade

I wrote six books before I started work on The Book and the Blade. They were not great. One, two and three were terrible in fact. Four showed some small promise but floundered (drowned) in the middle. Five was a present for my kids that I’m still happy with, and six was a silly thing that I enjoyed but will never sell to anyone. Ever.

A sixteen-year-old kid runs away from home in 1992 to watch Nirvana play at the Reading Festival while being part of the most cliche-ridden love triangle imaginable.

It is hardly a literary masterpiece.

I have a number of (very patient) friends and family who read these pieces of rubbish and my uncle quite enjoyed the last one but he did ask, ‘when are you going to write some fantasy?’

And that’s the moment I started thinking about it seriously. Let’s forget the fact it took me until I was well into my thirties to actually write what might be considered a ‘complete novel’, why wasn’t I writing in the genre I most loved? I’ve always read fantasy. Sir Terry Pratchett is my favourite author by a long way. Next to him are Neil Gaiman, Bernard Cornwell, David Gemmell, Stephen Kind and Richard Matheson. So that’s quite a potent mix of fantasy, folklore and horror. Maybe it was about time I started writing my own?

So on the 31st of January 2019, I did. I even marked the date in my diary, but what I didn’t comment on was why I started writing.

The thing that really kicked me into gear was a night out and being really quite unhappy at work.

It is frustrating to admit that last part. I’m a teacher. I love teaching. But I was struggling. We had moved from Australia back to Yorkshire and found a dream house (a cottage below a castle) in a dream town because I’d secured what looked to be a dream job. It was our Big England Adventure. My wife found an amazing job in York, and our kids were happy at school. But I wasn’t. I really struggled to get back into the English way of doing things. For the first time in fourteen years of teaching, I felt really quite shit at it. I was surrounded by amazing people and supportive colleagues who became firm friends but I was unhappy. That unhappiness led to a sense of frustration because I couldn’t control it. And that frustration led me to write… because I could control that.

Just before Christmas, 2018 I’d gone for a day out with the lads from university. Naturally, we met in York and toured all our old haunts (pun absolutely intended) and over Christmas, I couldn’t help but think of the story idea that had come to me decades earlier when we first met. So by the time I was back in the classroom (heading to work in the dark and leaving work in the dark and desperately looking forward to the weekends) I started taking a few moments for myself to write the story I’d always wanted to write.

And it made me happy.

There’s nothing quite like writing about a pissed-up, sarcastic loner talking to dead people to put a smile on your face.

York. Some places just exude atmosphere.

The Idea

I had the idea for The Book and the Blade nearly 20 years ago and it hurts me to write that!

When I was 18 I started University in York and one of the drawcards for the city was the rumoured 365 pubs… one for every day of the year.

There’s a famous street called Micklegate that has somewhere in the region of 20 of these establishments all crammed into the one cobbled area and some genius came up with the idea for The Micklegate Run – you start near the ironically named Bar (old Norse for “gate”) and have a drink in every pub on your – increasingly meandering – way down towards the river.

Let’s be honest, even if you only drink water that’s a LOT of liquid!

Well, we were young and stupid and sucked in by three-for-one prices and this wonderful new invention called Red Bull that went remarkably well with vodka and so we tried it.

It didn’t end well.

In fact, I don’t remember it ending at all.

What I do remember is an idea.

Imagine getting so drunk you didn’t realise the people you were talking to were ghosts. The world is spinning. You just want to get home. But you live in one of the most haunted cities in the world and the ghosts know you can see them.

I always thought it was a good idea and now, thanks to Parliament House Press, it will be published in 2022!

22 years after I started uni!

They say good things come to those who wait.

Here’s hoping.